Neptune Stations Direct: The Week of 11/23-11/29/2020

This week is one long crescendo toward a Lunar Eclipse in Gemini on November 30th. The symphony of the week’s transits include, most notably, Neptune stationing direct and Venus’ opposition to Uranus. The cosmic forces pull the curtain back to how our innermost longings and values have transformed, and how this sea change relates to our imagination. Neptune contains many gods and goddesses, including Dionysus, Tiamat, the Christ figure, and Poseidon. Each of these involve fragmentation, a blurring of boundaries, overwhelm by oceanic forces and the thought of the heart. 

On June 23rd, when Neptune stationed retrograde, we faced a Solar Eclipse in Cancer. This time, Neptune stations direct promptly before the *lunar* eclipse in Gemini. Whereas solar eclipses are about influxes of energy, lunar eclipses are about giving birth and releasing energy. This means that whatever has gestated in the imagination over the last five months, in a new form, will soon give birth to something meaningful and climax in a more significant way—or, it might all be exposed as a mirage. 

The notion of revelation, of pulling the curtain back, is a timeless metaphor that calls to mind an old story about a king. Skeptical about the existence of any realm other than the literal, material plane, the king asks a holy man in the woods if he could see a glimpse of Paradise. The sage, who is dying, tells the king that if he knocks on his gravestone in the hours after death, his wish will be granted—but, at the same time, he warns the king to be careful what he wishes for, saying that it’s best to wait to see paradise until his time has come. The king ignores the warning and knocks on the grave as instructed. When the ground opens and the king tumbles underground, the dead sage pulls a curtain back to reveal…and the story does not say precisely *what* is shown to the king, but seemingly for an instant, he sees his glimpse of paradise. The consequences are dire, though: he reemerges from underground seven hundred years later, dethroned, with nobody knowing his identity. 

Let’s make the story relevant to the current astrological and personal moment: how can we engage in a creative relationship with our imagination instead of one ignoring warnings or split off from its power? How can we apply imagination in our lives and what have we learned about it since June 23rd? How does the frenzied consumption of coffee, wine, love & attention amplify our insight or exacerbate the foggy messes, or both? Time will tell. Time will expose the extent to which we’re nourished by the garden of romantic imagination and the extent to which the weeds of that same garden take up all the sunlight, nutrients and space. 

One way those weeds show their faces is through the extremes of euphoria and depression that the yearning for paradise and source creates. Those extremes become perceived as weeds in the garden when they put the analytical brain sound the alarm bells, making us think that we are conflicted or ill, when sometimes, what are labeled ‘internal conflicts’ are themselves illusions of a mind trying to analyze and separate living reality into manageable fragments. 

Another way weeds show their faces is as deception, felt on both private and public levels. Whatever deception has been in the works since mid June (or longer) will either be exposed for what it is or be allowed to run amok in a deluge. The opposition of Venus (values) and Uranus (the renegade) pushes us into embracing change rooted in the raw material that’s been gestating in the imagination these past several months. These planets oppose each other in Taurus and Scorpio, an axis that’s about transformed desire and constructive power. When the vitality that regenerates desires is ignored and power remains secretly corrupt, Venus-Uranus will encourage this lack of integrity to destroy itself with its own deceit. In other cases, it festers and spreads, creating mirages upon mirages. 

We are participants in this and the choice is ours: how can we relate beautifully and wildly innovate the expression of our transformed desires? How can the power that’s destructive expose itself as counterproductive to the integrity of the current forms that our values take? 

And it’s important to remember that on subtler levels, these epiphanies don’t unfold in an either/or fashion, but as volatile mixtures of light and dark and rainbow.

Published by Mythopoetic Astrology

Nate Speare is an astrologer, vocal artist, storyteller, mythologist, and educator. He comes from a line of astrologers and sound/music composers who used natural environmental sounds and the connection between sound, the natural environment, and the characters within the earth and sky. He offers consulting sessions, writes essays, tells stories and uses his voice in videos and live performance as an active representative of the world to re-ignite a sense of magic in every client. It is his aim to connect each person to the idea that they are not blank slates, but that they entered the world with their own "daimon" and irreplaceable style of talented genius with inspiring and definite directions in life. As an astrologer, Nate has studied under Jungian psychological and evolutionary astrologer Montgomery Taylor, and is influenced by Archetypal, Shamanic and Renaissance schools of astrology. Nate directs Mythopoetic Astrology, a consulting practice that integrates experiential therapy of astrology through Astro-Drama, voice, sonic art and client consulting. His teaching credits include Salem Summer Symposium (Massachusetts) Myth and Theatre Festival (France), and Jung Institute NYC. Nate is a collaborator of PanTheatre, the France-based cultural organization that researches the relationship between contemporary performance, mythology, and the archetypal psychology of James Hillman, the company's Honorary President. He lives and works in Brooklyn, NY, where he is also the co-artistic director of Nekyia Theatre.

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